How Ubiquitous Technologies Support Ubiquitous Music
File version
Author(s)
Keller, D
de Lima, MH
Griffith University Author(s)
Primary Supervisor
Other Supervisors
Editor(s)
Brydie-Leigh Bartleet, Lee Higgins
Date
Size
File type(s)
Location
License
Abstract
Pervasive computing technologies are providing opportunities and challenges for new musical practices and offering greater access to musical interactions for people at all levels of musical experience. In this chapter we review theoretical insights and practical experiences of taking advantage of these opportunities and meeting these challenges; we describe how to leverage ubiquitous technologies to support ubiquitous music; and we discuss ideas and techniques that can assist in ensuring that social music activities provide an appropriate variety of experiences and strategies to maximize socially positive and musically creative outcomes. Strategies include starting with what is known and available, enhancing human skills with computational automation, and increasing participation through simplification to improve access and promote cultures of open sharing. Three case studies illustrate how these ideas are put into practice, covering experiences from across the world based in varied social contexts and using differing technologies, but sharing the same ambition of enhancing everyday experience through musical interactions mediated by pervasive technologies.
Journal Title
Conference Title
Book Title
The Oxford Handbook of Community Music
Edition
Volume
Issue
Thesis Type
Degree Program
School
Publisher link
Patent number
Funder(s)
Grant identifier(s)
Rights Statement
Rights Statement
Item Access Status
Note
Access the data
Related item(s)
Subject
Digital and electronic media art
Musicology and ethnomusicology