Brand-self identity narratives in the James Bond movies

No Thumbnail Available
File version
Author(s)
Cooper, Holly
Schembri, Sharon
Miller, Dale
Primary Supervisor
Other Supervisors
Editor(s)

Arch Woodside

Date
2010
Size
File type(s)
Location
License
Abstract

Consumers learn to attach social and contextual meaning to products and brands through observing the character relationships with particular objects or specific brands in the archetypal stories in film on "the big screen" (cinema). Luxury brands become objects of desire, fueling consumer aspirations and giving consumers frames of reference in their own consumption ideals. However, substantial research attention to the brand narratives that popular culture portrays has yet to emerge. This paper therefore presents a textual analysis of the brand narratives evident within popular culture, specifically in the context of James Bond films. In taking this interpretive approach, this article identifies three different and contrasting brand-self narratives that reinforce a particular archetypal myth of a lover, hero, or outlaw.

Journal Title

Psychology & Marketing

Conference Title
Book Title
Edition
Volume

27

Issue

6

Thesis Type
Degree Program
School
Publisher link
Patent number
Funder(s)
Grant identifier(s)
Rights Statement
Rights Statement
Item Access Status
Note
Access the data
Related item(s)
Subject

Commerce, management, tourism and services

Marketing management (incl. strategy and customer relations)

Psychology

Persistent link to this record
Citation
Collections